From the Book - Third edition.
No mastering engineer is an island
Part II Mastering techniques
A day in the life of a mastering studio
How to manipulate dynamic range for fun and profit: macrodynamics, loudness range
How to manipulate dynamic range for fun and profit: downward processors
How to manipulate dynamic range for fun and profit: think forward
Additional mastering techniques
How to achieve depth and dimension in recording, mixing and mastering
Surround mastering: Q & A
Hardware tools of the trade
Software tools of the trade
Part III Advanced theory and practice
Connecting it all together
The loudness revolution: the war is ending
The loudness revolution: loudness metering: it?s time
The loudness revolution: calibrated monitoring
Analog and digital processing
High sample rates: is this where it?s at?
Jitter: separating the myths from the mysteries
Technical tips and tricks
Appendix I. The art of the album sequence
Appendix II. Radio processing
Appendix III. Preparing tapes and files for mastering
Appendix IV. Premastering for vinyl
Appendix V. Logs and labels for tapes, discs and boxes
Appendix VI. I feel the need for capacity
Appendix VII. I feel the need for speed
Appendix VIII. Christopher Morgan biography
Appendix IX. Bob Katz biography
Appendix X. Photo credits and notes.
