Wigrum
(eBook)

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Average Rating
Published
Talonbooks, 2013.
ISBN
9780889227798
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Daniel Canty., & Daniel Canty|AUTHOR. (2013). Wigrum . Talonbooks.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Daniel Canty and Daniel Canty|AUTHOR. 2013. Wigrum. Talonbooks.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Daniel Canty and Daniel Canty|AUTHOR. Wigrum Talonbooks, 2013.

MLA Citation, 9th Edition (style guide)

Daniel Canty, and Daniel Canty|AUTHOR. Wigrum Talonbooks, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDc6731b9d-f149-ee8a-64eb-284f874442d1-eng
Full titlewigrum
Authorcanty daniel
Grouping Categorybook
Last Update2024-03-20 23:01:07PM
Last Indexed2024-04-19 05:03:20AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 26, 2022
Last UsedApr 15, 2024

Hoopla Extract Information

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    [synopsis] => It's October 1944. During a brief respite from the aerial bombardment of London, Sebastian Wigrum absconds from his small flat and disappears into the fog for a walk in the Unreal City. This is our first and only encounter with the enigmatic man we come to discover decades later through more than one hundred everyday objects he has left behind. Wigrum's bequest is a meticulously catalogued collection of the profoundly ordinary: a camera, some loose teeth, candies and keys, soap, bits of string, hazelnuts, and a handkerchief. Moving through the inventory artifact to artifact, story to story, we become immersed in a dreamlike narrative bricolage determined as much by the objects' museological presentation as by the tender and idiosyncratic mania of Wigrum's impulse to collect them. With its traces of Jorge Luis Borges, Italo Calvino, and Georges Perec, Daniel Canty's graphically arresting Wigrum explores the limits of the postmodern novel. Having absorbed the logic of lists and the principles of classification systems, the Wigrumian narrative teeters on the boundary between fact and fiction, on the uncertain edge of the real and the unreal. Readers venturing into Sebastian Wigrum's cabinet of curiosities must abide only the following maxim: If I can believe all the stories I am told, so can you.
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