The Metamorphoses of Apuleius: On Making an Ass of Oneself
(eBook)

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Published
The University of North Carolina Press, 2017.
ISBN
9781469620718
Status
Available Online

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Format
eBook
Language
English

Citations

APA Citation, 7th Edition (style guide)

Carl C. Schlam., & Carl C. Schlam|AUTHOR. (2017). The Metamorphoses of Apuleius: On Making an Ass of Oneself . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carl C. Schlam and Carl C. Schlam|AUTHOR. 2017. The Metamorphoses of Apuleius: On Making an Ass of Oneself. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carl C. Schlam and Carl C. Schlam|AUTHOR. The Metamorphoses of Apuleius: On Making an Ass of Oneself The University of North Carolina Press, 2017.

MLA Citation, 9th Edition (style guide)

Carl C. Schlam, and Carl C. Schlam|AUTHOR. The Metamorphoses of Apuleius: On Making an Ass of Oneself The University of North Carolina Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd04dfa22-dfe6-5e69-33a8-6f34eaf936e2-eng
Full titlemetamorphoses of apuleius on making an ass of oneself
Authorschlam carl c
Grouping Categorybook
Last Update2024-03-20 23:01:07PM
Last Indexed2024-04-21 05:36:55AM

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First LoadedJul 27, 2022
Last UsedApr 10, 2024

Hoopla Extract Information

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    [synopsis] => This book examines the comic and philosophical aspects of Apuleius' Metamorphoses, the ancient Roman novel also known as The Golden Ass. The tales that comprise the novel, long known for their bawdiness and wit, describe the adventures of Lucius, a man who is transformed into an ass. Carl Schlam argues that the work cannot be seen as purely comic or wholly serious; he says that the entertainment offered by the novel includes a vision of the possibilities of grace and salvation. Many critics have seen a discontinuity between the comedic aspects of the first ten tales and the more elevated account in the eleventh of the initiation of Lucius into the cult of Isis. But Schlam uncovers patterns of narrative and a thematic structure that give coherence to the adventures of Lucius and to the diversity of tales embedded in the principal narrative. Schlam sees a single seriocomic purpose pervading the narrative, which is marked by elements of burlesque as well as intimations of an ethical religious purpose. As Schlam points out, however, the world of second-century Rome cannot easily be divided into the sacred and the secular. Such neat distinctions were largely unknown in the ancient world, and Apuleius' tales are a part of a tradition, flowing from Homer, that addressed both religious and philosophical issues.
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