Gaudí
(eBook)

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Published
Parkstone International, 2011.
ISBN
9781780422107
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Victoria Charles., & Victoria Charles|AUTHOR. (2011). Gaudí . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Victoria Charles and Victoria Charles|AUTHOR. 2011. Gaudí. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Victoria Charles and Victoria Charles|AUTHOR. Gaudí Parkstone International, 2011.

MLA Citation, 9th Edition (style guide)

Victoria Charles, and Victoria Charles|AUTHOR. Gaudí Parkstone International, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID7a1495f0-e133-6591-e21c-1d5d04187ee1-eng
Full titlegaudí
Authorcharles victoria
Grouping Categorybook
Last Update2024-03-20 23:01:07PM
Last Indexed2024-04-18 02:23:36AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 19, 2022
Last UsedMar 29, 2024

Hoopla Extract Information

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    [synopsis] => Spanish architect and designer, Antoni Gaudí (1852-1926) was an important and influential figure in the history of contemporary Spanish art. His use of colour, application of a range of materials and the introduction of organic forms into his constructions were an innovation in the realm of architecture. In his journal, Gaudí freely expressed his own feelings on art, "the colours used in architecture have to be intense, logical and fertile." His completed works (the Casa Batlló, 1905-1907 and the Casa Milà, 1905-1910) and his incomplete works (the restoration of the Poblet Monastery and the altarpiece of Alella in Barcelona) illustrate the importance of this philosophy. His furniture designs were conceived with the same philosophy, as shown, for example, in his own office (1878) or the lamps in the Plaza Real in Barcelona. The Sagrada Familia (1882-1926) was a monumental project which eventually took over his life (it was still incomplete at the time of his death).
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