Thirteen Stories
(eBook)

Book Cover
Average Rating
Published
Houghton Mifflin Harcourt, 1965.
ISBN
9780547545721
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Eudora Welty., & Eudora Welty|AUTHOR. (1965). Thirteen Stories . Houghton Mifflin Harcourt.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Eudora Welty and Eudora Welty|AUTHOR. 1965. Thirteen Stories. Houghton Mifflin Harcourt.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Eudora Welty and Eudora Welty|AUTHOR. Thirteen Stories Houghton Mifflin Harcourt, 1965.

MLA Citation, 9th Edition (style guide)

Eudora Welty, and Eudora Welty|AUTHOR. Thirteen Stories Houghton Mifflin Harcourt, 1965.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID919de1b3-5e79-5daa-832c-7f0b2fc3869f-eng
Full titlethirteen
Authorwelty eudora
Grouping Categorybook
Last Update2024-03-27 21:55:45PM
Last Indexed2024-03-28 02:12:00AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 16, 2024
Last UsedFeb 19, 2024

Hoopla Extract Information

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    [synopsis] => A strong sense of place-in this case Mississippi-along with often larger-than-life characterizations of ordinary folk with all their glorious eccentricities and foibles, and above all a completely distinctive voice, come together in Eudora Welty's fiction to offer us a world that is sometimes sad, sometimes comic, often petty, and always compassionate.   Here is a baker's dozen of Welty's very best, including: "The Wide Net," in which a pregnant wife threatens to drown herself, despite fear of the water, and a communal dragging of the river turns into a celebratory fish-fry; "Petrified Man," revealing the savagery of small-town gossip; "Powerhouse," Welty's prose answer to jazz improvisation and the emotional heart of the blues; and "Why I Live at the P.O.", the hilariously one-sided testimony of a postmistress who believes herself wronged by her family. With her highly tuned ear and sharp insight into human behavior, Eudora Welty has crafted stories as vital and unpredictable as they are artful and enduring.
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