OutKast
(eBook)

Book Cover
Average Rating
Author
Published
The Rosen Publishing Group, Inc, 2009.
ISBN
9781435857148
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Greg Roza., & Greg Roza|AUTHOR. (2009). OutKast . The Rosen Publishing Group, Inc.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Greg Roza and Greg Roza|AUTHOR. 2009. OutKast. The Rosen Publishing Group, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Greg Roza and Greg Roza|AUTHOR. OutKast The Rosen Publishing Group, Inc, 2009.

MLA Citation, 9th Edition (style guide)

Greg Roza, and Greg Roza|AUTHOR. OutKast The Rosen Publishing Group, Inc, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID04984507-07a9-6798-d203-f5a75312cd36-eng
Full titleoutkast
Authorroza greg
Grouping Categorybook
Last Update2024-03-20 23:01:07PM
Last Indexed2024-04-17 23:09:17PM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 11, 2024
Last UsedFeb 22, 2024

Hoopla Extract Information

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    [synopsis] => Outkast burst upon the national scene with their joyous, giddy, and insanely infections single "Hey Ya!" in 2003. Yet Outkast's duo of Andre 3000 and Big Boi had been recording their unique and inimitable brand of hip-hop, spiced with tantalizing dashes of funk, soul, rock, pop, jazz, blues, and electronic music since 1992. In fact, the album from which "Hey Ya!" was drawn was Outkast's fifth full-length record. The video for the song, as well as other videos made for subsequent cuts from the album released as singles, established Outkast's reputation as a band with a wildly creative artistic sensibility, a sweet-natured joy in music-making, extravagant visual flair and fashion sense, and a musical style that collapsed all categories and soared far above and beyond the usual genre boundaries. In an age of increasing corporate sameness in pop, hip-hop, and rock releases, Outkast was an invigorating, heady blast of helium and an exhilarating and disorienting introduction to their musical funhouse. While Andre 3000 and Big Boi have both dabbled in acting and pursue solo musical projects, they insist the band is still together. It is certainly to be hoped so, for the future of quality American music may depend upon it.
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