History of Rock 'n' Roll in Ten Songs
(eBook)

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Published
Yale University Press, 2014.
ISBN
9780300190304
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Greil Marcus., & Greil Marcus|AUTHOR. (2014). History of Rock 'n' Roll in Ten Songs . Yale University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Greil Marcus and Greil Marcus|AUTHOR. 2014. History of Rock 'n' Roll in Ten Songs. Yale University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Greil Marcus and Greil Marcus|AUTHOR. History of Rock 'n' Roll in Ten Songs Yale University Press, 2014.

MLA Citation, 9th Edition (style guide)

Greil Marcus, and Greil Marcus|AUTHOR. History of Rock 'n' Roll in Ten Songs Yale University Press, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID4fb93ce6-054d-b550-d933-a21aee0caf32-eng
Full titlehistory of rock n roll in ten songs
Authormarcus greil
Grouping Categorybook
Last Update2024-04-18 05:58:14AM
Last Indexed2024-04-18 09:50:56AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 24, 2022
Last UsedFeb 4, 2024

Hoopla Extract Information

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    [synopsis] => Unlike previous versions of rock 'n' roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock 'n' roll as a thing in itself, in the story it tells, inhabits, and acts out-a new language, something new under the sun.

"Transmission" by Joy Division. "All I Could Do Was Cry" by Etta James and then Beyoncé. "To Know Him Is to Love Him," first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus's hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism-and its most gifted and incisive practitioner-is destined to become an enduring classic.
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