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In considering the greatest of these films over time, Mr. Kimmel explains why When Harry Met Sally (1989) was called the greatest movie Woody Allen never made. Or how off-screen relationships helped My Man Godfrey (William Powell and Carole Lombard were divorced but remained friends) but interfered with Sabrina (where Audrey Hepburn was carrying on an off-screen affair with co-star William Holden, though her character was supposed to be falling in...
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"From culture writer and GQ contributor Scott Meslow, an in-depth celebration of the romantic comedy's modern golden era and its role in our culture, tracking the genre from its heyday in the 80s and the 90s, its slow decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre"--
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From City Lights to Knocked Up, this history examines American film from the perspective of its unwanted stepbrother, the comedy, and puts the comic titans of the present in the context of their predecessors. The 30 chapters and 100 essays follow the connections that link Mae West to Marilyn Monroe and W. C. Fields to Will Ferrell. Offering unvarnished insight into comedians and directors such as Buster Keaton, Christopher Guest, Eddie Murphy, and...
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"For a brief period of about five years in the early 1940s, Preston Sturges sat on the top of Hollywood. At the time, he was one of the few people, along with Orson Welles and Frank Capra, who both wrote and directed his films. Sturges's films including The Great McGinty (1940), Sullivan's Travels (1941), The Palm Beach Story (1942), The Miracle of Morgan Creek (1942), and Hail the Conquering Hero (1944) have become classics of American comedy and...
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Harvey discusses the romantic movie comedies of the 1930's and 1940's, an era which he describes as beginning with the films of Ernst Lubitsch and ending with those of Preston Sturges. He divides the book into three parts: the Lubitsch era, 1929-1933; and the Sturges era, 1940-1948. Harvey's definition of romantic comedy is so broad that it includes musical comedies, screwball comedies, and any film with comic elements. He includes lengthy discussion...
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"American silent film comedies were dominated by sight gags, stunts and comic violence. With the advent of sound, comedies in the 1930s were a riot of runaway heiresses and fast-talking screwballs. It was more than a technological pivot -- the first feature-length sound film, The Jazz Singer (1927), changed Hollywood"--
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"On October 20, 1882, future actress Margaret Dumont was born in Brooklyn, New York. A Broadway regular by the 1920s, Dumont found lasting fame once she started appearing with the Marx Brothers. Tall and regal in bearing, her character provided the perfect foil to the wisecracking Groucho Marx in a series of films including A Night at the Opera and Duck Soup. Her character's seemingly obliviousness to insult led to the widespread belief, encouraged...
19) The annotated Abbott and Costello: a complete viewer's guide to the comedy team and their 38 films
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"Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. However, their films have oddly not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top table of comic artists. Featuring new...
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