In sixteenth century Japan a village potter and his brother-in-law set out for the city to seek their fortunes in the spoils of war. Their neglected wives suffer the bitter consequences of their husbands' ambition as one is murdered by soldiers and the other is raped and becomes a prostitute.

After more than a decade of sober political dramas and social-minded periodpieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn's collections of Japanese folklore, are existentially frightening and meticulously...

"Having refined his craft in the silent era, Kenji Mizoguchi was an elder statesman of Japanese cinema fiercely revered by Akira Kurosawa and other younger directors by the time he made Ugetsu. And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and Guy de Maupassant, he created a touchstone of his art, his long takes and sweeping camera guiding the viewer through a delirious narrative about two villagers...