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"This work is by no means an exhaustively detailed study of gospel music in Chicago. Its intent is to chronicle the development of Chicago gospel music during its first five decades, from pioneers such Thomas Dorsey and Sallie Martin to the start of the contemporary gospel era of the 1970s, when the focus shifted from Chicago to California"--Introduction (page 7).
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Series
Language
English
Description
"Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that...
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