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Author
Language
English
Description
No one skewers the popular movements of American culture like Tom Wolfe. In 1975, he turned his satirical pen to the pretensions of the contemporary art world, a world of social climbing, elitist posturing, and ingeniously absurd self-justifying theorizing. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. In the process he debunks the great American...
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