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Released in 2008, J-pop trio Perfume's GAME shot to the top of Japanese music charts and turned the Hiroshima trio into a household name across the country. It was also a high point for techno-pop, the genre's biggest album since the heyday of Yellow Magic Orchestra. This collection of maximalist but emotional electronic pop stands as one of the style's finest moments, with its influence still echoing from artists both in Japan and from beyond. This...
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33 1/3 volume 138
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English
Description
"Of the many girl-groups that came out of the 1960s, none is more idiosyncratic and influential than the Shangri-Las. They were together only five years, but within that time they subverted pop standards and foreshadowed a generation of tough women in music. Critically, they are not lauded in the way of the Ronettes, and they are certainly not a household name like the Supremes. They were a little too low-brow with an uncouth flair for theatrics that...
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33 1/3 volume 135
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English
Description
"It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust--the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height...
6) Tapestry
Author
Series
33 1/3 volume 153
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English
Description
"A discussion of Tapestry as a watershed in musical and cultural history, challenging the male dominance of the music and entertainment industries"--
"Carole King's Tapestry is both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. And these two elements of the album's historic significance are closely related insofar as the professional autonomy of the singer-songwriter is an...
Author
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33 1/3 volume 52
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English
Description
This book is a riveting investigation of what it means to love music and what it means to hate music, both of good and bad taste. Non-fans regard Celine Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Celine Dion, and nothing clever. That's part of her appeal as an object of...
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"This book dives into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes life into the black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, the expansive sonic and lyrical geography brings a level of innovation to a field dominated...
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Description
"Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz. McCann also reveals the contributions of the less-understood participants (Astrud Gilberto's unrehearsed, English-language vocals; Creed Taylor's immaculate production; Olga Albizu's arresting, abstract-expressionist cover art) to show how a...
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"While hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, Bizarre Ride was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers...
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