Catalog Search Results
Series
Criterion collection volume 685
Language
Wolof
Description
Touki bouki: "A vivid, fractured portrait of Senegal in the early 1970s. ... two young lovers long to leave Dakar for the glamour and comforts of France, but their escape plan is beset by complications both concrete and mystical"--Container.
Redes: "In this vivid, documentary-like dramatization of the daily grind of men struggling to make a living by fishing on the Gulf of Mexico (mostly played by real-life fishermen), one worker's terrible loss...
Language
Wolof
Description
After jobless Ibrahima Dieng receives a money order for 25,000 francs from a nephew who works in Paris, news of his windfall quickly spreads among his neighbors, who flock to him for loans even as he finds his attempts to cash the order stymied in a maze of bureaucracy, and new troubles rain down on his head. An adaptation of a novella by the director himself is a bitterly ironic depiction of a society scarred by colonialism and plagued by corruption,...
4) Hyenas
Language
Wolof
Description
A now-rich woman returns to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child. A film of sinister, mocking laughter, and a biting satire of a contemporary Senegal whose post-colonial dreams are faced with erosion by western materialism.
5) Touki bouki
Series
Criterion collection volume 685
Language
Wolof
Formats
Description
"With a stunning mix of the surreal and the naturalistic, Djibril Diop Mambéty paints a fractured portrait of the disenchantment of postindependence Senegal in the early 1970s. In this picaresque fantasy-drama, the disaffected young lovers Anta and Mory, fed up with Dakar, long to escape to the glamour and comforts they imagine France has to offer, but their plan is confounded by obstacles both practical and mystical. Alternately manic and meditative,...
Language
Wolof
Description
The Little Girl Who Sold the Sun and Le Franc are masterpieces of the medium-length form, completed by Mambéty in his final years. They give us a fuller picture of the elements that define his small but perfect filmography, rich social vision, sly humor, and formal ingenuity.
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