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The 1931 excavation season at Olynthus, Greece, ushered a sea change in how archaeologists study material culture-and was the nexus of one of the most egregious (and underreported) cases of plagiarism in the history of classical archaeology. Alan Kaiser draws on the private scrapbook that budding archaeologist Mary Ross Ellingson compiled during that dig, as well as her personal correspondence and materials from major university archives, to paint...
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