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1) Utopia
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This is a fully revised edition of one of the most successful volumes in the Cambridge Texts in the History of Political Thought series. Incorporating extensive updates to the editorial apparatus, including the introduction, suggestions for further reading, and footnotes, this third edition of More's Utopia has been comprehensively re-worked to take into account scholarship published since the second edition in 2002. The vivid and engaging translation...
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Longtime friends Helen Levine and Oonagh Berry decided they missed the tradition of "real" letters. The obvious solution for them was to initiate a correspondence project. Their goal? To write each other a longhand letter every two weeks for a year, and see what, if anything, they were missing in their usual friendship rituals of lunches, visits and telephone chats. The result is a wealth of insights yielded from over 150 years of combined life experience....
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Perhaps the first thing to strike one, in reading Cornelio Fabro's account of the question of God, is his passion for this topic, evident throughout this admirable translation of a work first published over sixty years ago (Dio: Introduzione al problema teologico [1953]). To Fabro, the question of God haunts every human life and "every age of human history." even atheists witness "to the God whose presence they cannot tolerate" by "the obstinacy that...
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This is the first in a five volume series that will collect much of trade unionist and Socialist Party founding father Eugene V. Debs' work for the first time in a single place. The collection makes readily accessible approximately 150 documents, only a few of which were ever subsequently republished, by one of the seminal figures in the labor movement of his era. Illuminating 19th Century labor history, particularly the complex and shifting situation...
7) Diapsalmata
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A beloved TV character discovers he is trapped in a perpetual stream of reruns.An angry Hollywood starlet turns the tide of fans of revenge porn.The last four aristocrats in England try to survive the apocalypse.And much more. A collection of speculative short stories and various vignettes, Diapsalmata is full of material from Ixtab Media's writing team. Speculative, darkly comic, cynical, perhaps a little depressing, it is an anthology for the misanthropes,...
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"Métal Hurlant" magazine was created in Paris in 1974 by Moebius, Druillet and Dionnet, the founding fathers of Les Humanoïdes Associés. This movement soon revolutionized the medium and inspired countless writers, artists and filmmakers the world over. Versions in various languages flourished everywhere, including in the States with "Heavy Metal." The French version was eventually shut down in 1987. But in 2002, Humanoids relaunched a limited publication...
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Selected Works of Cornelio Fabro Volume 3: Selected Articles on Atheism and Freedom, is the third volume of the English Selected Works of Cornelio Fabro. In addition to an introduction by Elvio Fontana of the Pontifical Urban University, this volume contains the following articles, published together for the first time:
- Encyclopædia Britannica, s.v. "Atheism." 15th edition. Volume 2, 258—262. Heilen Hemingwai Benton Publisher, 1974. © 1974...
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Eugene V. Debs exploded upon the national scene in 1894 as the leader of a sensational strike by his American Railway Union (ARU) against the Pullman Parlor Car Company, a job stoppage, which paralyzed the country's transportation network for nearly two weeks. On January 1, 1897, the polarizing public figure Debs declared his allegiance to international socialism, emerging as the most widely recognized socialist in America. He would thereafter tour...
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Tim Davenport and David Walters have extracted the essential core of Debs's life work, illustrating his intellectual journey from conservative editor of the magazine of a racially segregated railway brotherhood to his role as the public face and outstanding voice of social revolution in early twentieth-century America. Well over 1,000 Debs documents will be republished as part of this monumental project, the vast majority seeing print again for the...
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A substantial part of the core of H.D.'s classicism is undeniably Euripidean. In Hellenism, Gregory calls Euripides "architectonic" for H.D.'s writing and career. Despite H.D.'s fascination with Sappho and her experiments with other lyric poets, such as Meleager, her "flirtations" with Theocritus, Pausanias and Plato, it is Euripides' work she extensively reads, interprets, comments on, embeds, translates, and cites. Where her contemporaries, like...
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The Modernist quest for the renewal of poetry does not cease with World War Two. As Pound, Eliot, Williams and Crane conceive it, the new epic, provides the generic cradle for the inception of a new form. Hélène Aji summarizes certain theoretical precepts Pound received from Robert Browning's long poems. In his early Cantos, Pound adheres to Browning's dicta though later on his writing he begins to change as he starts questioning tradition and poetic...
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This analysis attempts to present the theoretical discussions of Plath's poetry within the general context of feminist criticism and writing by women and the problems faced by women as authors and poets. The book deals with the representation of the female body in Plath's poetry, by examining the views of such critics as Alicia Suskin Ostriker and Simone de Beauvoir, and specifically, how the body is represented in particular poems, like "Tulips"...
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In recent decades, Heliodora has received greater attention since it contains H.D.'s translation and poetic expansion of four Sapphic fragments. Along with her investigation of the Sapphic and lyric poems, H.D. is gradually creating her own archive, the unpublished Notes on Euripides, Pausanias and Greek Lyric Poets. H.D. has produced a range of poems, translation exercises from the Greek Anthology and poems that work palimpsestically within the context...
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In the very first sentence of "Spiegel, das Kätzchen" (1855), Gottfried Keller delineates what this story is about: economy, language, and psychology. The artistic tradition has endowed mirrors with the power to speak the truth and to reveal what otherwise falls in the blind spot of reason. Cats, on the other hand, with their experience as witches' sidekicks, decorated with boots and golden chains, are dressed to narrate and to represent obscure...
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As a modernist woman writer, H.D. could best be described as an advocate of experimentation and change. F. S. Flint, an early representative member of the movement of Imagism, discusses the ideological core of this generation that does not endorse a single form but demonstrates "a free spirit". Flint's remarks reveal that the aim of this new generation is to discover new forms of artistic expression. His views match equally well with H.D.'s heretic...
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The tale's emphasized novelty is manifold. Its action takes place not in a faraway land or mythical past but in Dresden, where Hoffmann moved in March 1813 to work as musical director for Joseph Seconda's opera company. He repopulates the Saxon capital with all kinds of fantastic personages who had been personae non grata during the Age of Enlightenment, rehabilitating fairies, witches and elemental spirits as voices of nature and poetry, and thereby...
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The question of whether Sylvia Plath was a confessional poet or not, has dominated and been at the centre of most critical studies of her work, ever since the publication of her final collection of poems. In this book, I will try to do more than show how similar her poetry is to that of other confessional poets, like Robert Lowell, Theodore Roethke and Anne Sexton.
To achieve this purpose, I will present a very brief comparison of "Daddy", one of...
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When it comes to a subjective form of art, especially poetry, the answer to the above question is even more difficult. Some critics say that one needs to have had a somewhat similar experience in order to write about something as big as the Holocaust, for example; others say that poetry written by someone who belongs to a different generation than the actual survivor, is a mere recording of the facts and lacks the sparkle that will lift the poem to...
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